New England's best bluefin tuna fishermen venture south to North Carolina's treacherous fishing grounds, the Outer Banks, where they battle the local fleet for the ocean's most lucrative prize. A single giant bluefin can be worth more than $20,000 but the dangerous waters, small quota and explosive rivalries make the Outer Banks, nicknamed "The Graveyard of the Atlantic", the most challenging place in the world to catch these elusive fish.

克里斯（Chris）和约翰尼（Johnny）在英国军队中海外作战后回到伦敦南部，却发现这里已物是人非。他们成为了令人畏惧的流氓头目，并一路拼杀至权力顶峰。然而，唯有金钱和权力能比战争更具威胁，甚至危及他们的友谊。最终，谁能坚守立场？

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For decades the criminal underworlds of the North and South bumped along begrudgingly. Like the Cold War, territories were respected out of the necessity to avoid apocalypse, with each side keeping tabs on the other’s capability. Such a precarious false harmony could not last forever. Now someone has crossed the line, and there’s no going back. An illicit love affair smolders, breaking taboo and threatening catastrophe at the smallest mistake. It is a romance of purest, unadulterated love, yet so forbidden that its discovery would wreak total carnage. The story is told through vignettes of strikingly original characters, with intertwining subplots that echo the complexity of life in the dog-eat-dog criminal underworld.

A collage-like film that mixes interviews with painter Erró and his collaborators, family and friends with visuals of his paintings and extracts from experimental films made in the sixties with Marcel Duchamp, Man Ray, Carolee Scheemann, Christo, Matta and Adami. Also including many of the luminaries of twentieth century art, the film takes us from Paris and New York to the appropriately surrealistic landscapes of Erró's native Iceland.

First part of an abandoned trilogy. Although it was filmed in 2000, it was not released until writer Adam DeCoster uploaded it to YouTube from a friend's digitized copy in 2013. For years, it was muted due to music copyright issues, but was finally reuploaded in 2025.

Alex, your seemingly average, gender- fluid Brooklynite does what any young, hot man does: hook-up with other hotties. Due to society's perception of what is taboo and concern to "correct" personal lifestyle choices, when does he actually know enough is enough? That ish is not taught in school. Who is there for someone who has been shushed into not talking about their sex life? Although Alex is open, there are a lot of LGBTQ members who are quieted, forced to conform to appear "normal" and shamed into hiding/suppressing who they truly are.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

A tongue-in-cheek psycho movie in "Duo-vision." The entire feature employs the split-screen technique used in parts of Brian De Palma's "Sisters" that same year. As a handyman at a seacoast hotel, Randolph Roberts wears a monster mask while he kills and dismembers women with blond hair. Tiffany Bolling is a singer, Scott Brady is a detective and Edd "Kookie" Burns is a lifeguard. The music is the original organ score for the silent film "Phantom of the Opera."

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